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ðð¢ð€ð𬠻
ðð¢ð¬ð¥ð¢ð€ð𬠻
ððð«ðð«ðšðð / ððð²ð¥ð »
ððð§ð§ðð«ð¢ð¬ðŠð¬ »
ððšð¬ð ð¥ð¢ð€ðð¥ð² ð©ð¥ðððð¬ ððš ðð ððšð®ð§ð »
ððšð¬ð ð¥ð¢ð€ðð¥ð² ð©ððšð©ð¥ð ððš ðð ð°ð¢ðð¡ »
ðððð«ðð𬠻
ðð®ðŠðšð«ð¬ »
ðð¢ð«ðð®ð𬠻
ðð¢ðð𬠻
ð
ððððð¥ðð¢ðŠ Â»
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Lorem ipsum dolor sit amet, eos eu malorum recteque, mel option vivendo ne. Scriptorem disputationi vix et, sed illum qualisque maluisset id. No quo reprehendunt concludaturque, adhuc nullam primis ad per. Nam aliquid tractatos at, eum ei debet percipit intellegam. At vix congue labitur theophrastus, vix labitur ornatus ne. Eos quodsi bonorum in, cu sit clita ubique, et facer delenit eam. Sit liber aliquip et, elitr labore sed cu. No odio vocibus sea, at duo vitae voluptatum assueverit. His et impedit persecuti, in stet legere veritus duo. Usu percipit probatus incorrupte te, qui ei modus nostro vidisse, dicta probatus antiopam nec ne. Ius nobis albucius officiis cu. Sint habemus apeirian nec eu, pri an hinc vituperata.
Justo scripta eam ut, discere quaestio gloriatur quo cu, pri in vero veniam. At mea aperiri erroribus, copiosae corrumpit eos te, illum porro sea ut. Eu iisque viderer vulputate per, amet ludus usu no, delectus sadipscing ne pri. Qui magna mandamus ei. Ad summo accumsan his, nec in dolores deleniti adversarium. Has augue exerci ne, in sumo ornatus pri, his ut aliquam repudiandae. Duo mentitum consequat vituperata ea. Ornatus corpora contentiones at nec, id has nisl consequuntur. Platonem scriptorem pri an, nam no tollit conceptam, labore debitis urbanitas ea eam. Soluta eripuit molestie eum et, eum ex aliquam offendit. Pro eu inimicus definitionem.
Iuvaret molestiae inciderint at usu, cu vis quaerendum suscipiantur. Cu libris accusamus conclusionemque mei. Cum id iriure delectus liberavisse. Ex per indoctum interesset. Illud harum neglegentur eum eu, pro scripta salutatus voluptatum ad, ex mutat dicit cetero vim. Ei cum possit docendi. Sit alia tantas nusquam cu, pri cu oratio fuisset evertitur.
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ð³ð¬ð®ð¬ðµð«: ð¥ðžð²ð¬ð®ðŒ ðžð¯ ððŒð¹ð±ðžðð®ðµ
ðð
ðððððð | ðžð-ð¿ððððððððð | ðžð¶ðžðž
âðððð
{ Maybe instead of trying to summarize this show, you can focus maybe more on what they're looking forward to, nervous about, why they auditioned, if they got the role they expected, etc? }
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ððªðœ'ðŒ ðð»ðªððµð®: ð ððªðœ-ðŠðžð¶ðªð· ð¢ðœðžð»ð
ðµððð | ðžð¶ðžð·
ð®ðððŸðð¶ ðŠððð
After the terrible reboot of Cat-Woman in the early 2000s, no one expected there to be another one, especially featuring such a new and bright actress. It was practically a death sentence, and that's exactly what made it a box office hit. In this reboot of the infamous villain, Natalina Bianchini plays Selina Kyle, a normal woman by day and a dastardly robin-hood villain at night. It is a surprisingly highly acclaimed reboot, with Bianchini's performance outshining the top-notch cinematography.
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ð£ð±ð® ð¥ð²ð®ð·ð·ðª ððªð¶ð®
ðŒððð-ðððððð | ððð ðŽððððððð | ðžð¶ðžð¶
ð±ðŸððŸðððð â°ðð¶ðŸðð
Vivienne Elaine is a neurodivergent chess prodigy that finds great fame in the chess world as she becomes the first female Grandmaster in the history of chess, all with the background of the Cold War guiding her. Natalina Bianchini's performance helps to shed light on the lengths to which people go to for their craft.
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ð¢ðŸðŒð¹ð²ð»ð²ðª
ðµððð | ðžð¶ð·ðŸ
ð®ððð â¬ð¶ðððŸðð
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up. {I know that this is a real film; I just couldn't resist making Nat an infamous horror star, hence why she's cast in real movies :))}
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ð£ð±ð® ð¥ð¥ð²ðœð¬ð±
ðµððð | ðžð¶ð·ð»
â³ðððžð ð¯ðœððð¶ð
A family in 1630s New England is torn apart by the forces of witchcraft, black magic, and possession. Natalina Bianchini plays a small role as Anya Taylor-Joy's best friend in the film {Yes, I created a special role just for Nat. I couldn't resist tehehehe}
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ð£ð±ð® ððªðœð¬ð±ð®ð» ð²ð· ðœð±ð® ð¡ðð®
ðµððð | ðžð¶ð·ðº
ð®ð¶ððð âð¶ððð
{Pretend for a moment that we were able to make a Catcher In The Rye film} The film, based on the famous novel by J.D. Salinger, details two days in the life of 16-year-old Holden Caulfield after he has been expelled from prep school. Confused and disillusioned, Holden searches for truth and rails against the âphoninessâ of the adult world. He ends up exhausted and emotionally unstable. Natalina Bianchini plays Sally Hayes, the preppy love interest of Holden Caulfield.
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ð£ð±ð® ð¢ð®ðµð®ð¬ðœð²ðžð·
ðµððð ðððððð | ðžð¶ð·ð¹ - ðžð¶ð·ð»
ðððððŸðžð¶ð ð®ðŸðððð
America Singer is born unwealthy, however not unloved. When she gets the chance to compete in the Selection, a competition to win the prince's heart and become the next queen, she wishes to turn it down, but when her boyfriend urges her to put in an application, her world changes forever. The beginning of one of the best love stories ever written begins with a girl, a boy, and a prince. This is arguably the blockbuster series that put Natalina Bianchini on the map as she starred in the adaptation of the best selling young adult series.
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ðð®ð» ððªð¿ðžð»ð®, ððžðœðœðžð» ð¡ðžð¶ðªð·ðž, ð¢ðªðµð¿ð² ð ðŸð®ðŒðœðž ðð®ðŒðŒðªð°ð°ð²ðž
ðµððð | ðžð¶ð·ðž
ð«ðððð¶ âððð¶ðð
While staying with her father for a year after her show on Disney ended, Natalina Bianchini starred in a few indie productions in Italy. In Please, Doctor Romano, Save This Mess, Natalina actually didn't star in the production. She played Dr. Romano's daughter, Petra, who ends up in a romance with the actual star of the show, Geraldina Mercado, a girl native to America who's seeing Petra's father for experimental cancer treatment. A lot of people consider this Bianchini's coming out piece.
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ð'ðžðð²ðž, ð'ðªð¶ðžð»ð®
ðµððð | ðžð¶ð·ðž
â¬ðð¶ððžð¶ âððððŸ
Another film Natalina did in Italy. This small production follows Blanca and her love interest, Armani as they travel through the city of Rome and grow to hate each other. The film is lauded for its depiction of how quickly relationships turn south and end. This is the first movie many critics and long-time fans of Bianchini cite as her truly becoming an actress.
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ðð®ð®ðŽ ðð±ðªð»ð¶ð²ð·ð°
ðŒððð ðµðð ðð
ðµððð | ðžð¶ð·ð·
ðððð¶ð ð®ðœðððð»ðŸððð¹
A Disney Channel Original Movie that Natalina Bianchini did right off the heels of her long-running show. People liked the film for what it was. Nat played the stuck-up princess-like Queen Bee, Dylan Shoenfield. While at this time, she was known for being a lovely cast mate and an easy-going girl off-stage, this film started rumors that she was actually a nightmare to work with. Some say that the role inspired her to be more of a drama queen, which is why when she came back to the States in 2013 to star in the big-budget adaptation of the YA series, Bianchini became known for being a prima donna.
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ð£ð±ð® ðð»ð²ð·ð¬ð®ðŒðŒ ð¢ðð²ðœð¬ð±
ðð
-ðððð | ð¹ ððððððð, ðžð¶ ðŽððððððð ðŽððð | ðžð¶ð¶ðœ-ðžð¶ð·ð¶
â³ð¶ððŸððð "â³ð¶ððŸ" â³ð¶ðððð
The first role that brought Natalina Bianchini fame. This children's show featured two young, spunky girls: a princess and a normal girl. With Bianchini's Italian accent, she was able to win the role of Princess Marilyn Marose of Macadova, a fake country meant to be similar to Italy. The show follows Mari and Izabella, the normal all-American girl played by co-star Ingrid Melrose. The plot of the show follows the two girls switching places, much like The Parent Trap, as they navigate the world from their differing perspectives and lives. It's critically acclaimed for being one of the few children's shows of the era that had an evolving plot, with the girls each facing new lessons and growing along with the show.
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ð£ð±ð® ð£ðªð²ðµ ðžð¯ ðð¶ð®ðµð²ðª ð¢ððªð·ðŽ
ðµððð | ðžð¶ð¶ð»
ð®ðœððžððð¹ ð¢ðŸðð #7
The only production that Bianchini was given a place in the credits for. She was in approx. ten different productions as extras, though sometimes she got a small speaking role. The Tail of Amelia Swank was a small film about a girl who turned out to be a mermaid. At the time of filming, Natalina was only nine years old.
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{ add as many of these as you need to describe their whole background! }
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ð¥ð²ð¿ð²ð®ð·ð·ð® ðŠð®ðŒðœððžðžð ðð ððªð¶ð¹ðªð²ð°ð·
ðžð-ð¿ððððððððð | ðžð¶ðžð·
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ðð®ð ðšðžð»ðŽ ððªðŒð±ð²ðžð· ðŠð®ð®ðŽ
ðžð-ð¿ððððððððð | ðžð¶ð·ð·, ðžð¶ð·ðž, ðžð¶ð·ðŒ, ðžð¶ð·ðŸ, ðžð¶ð·ð¿, ðžð¶ðžð·
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ððªð»ð¹ð®ð»'ðŒ ððªððªð» ððžð¿ð®ð»
ðžð¶ð·ðº, ðžð¶ð·ð», ðžð¶ð·ðŸ
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ððžð·ððžð· ððªðŒð±ð²ðžð· ðŠð®ð®ðŽ
ðžð¶ð·ðº, ðžð¶ð·ð», ðžð¶ð·ð¿
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ððªð»ð²ðŒ ððªðŒð±ð²ðžð· ðŠð®ð®ðŽ
ðžð¶ð·ðº, ðžð¶ð·ð», ðžð¶ð·ð¿
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ððªðµð¿ð²ð· ððµð®ð²ð· ðð ððªð¶ð¹ðªð²ð°ð·
ðžð¶ð·ðž
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ð¥ðžð°ðŸð® ððžð¿ð®ð»
ðžð¶ð·ð·, ðžð¶ð·ðŒ, ðžð¶ð·ðœ, ðžð¶ðžð¶
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ð¥ð²ð¬ðœðžð»ð²ðª ð¢ð®ð¬ð»ð®ðœ ððžðð®ðµ
ðžð¶ð·ð· - ðžð¶ð·ðœ
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ðð²ðŒð·ð®ð ððžðµðµð®ð¬ðœð²ðžð· ð¢ð¹ð»ð®ðªð ð²ð· ð£ð²ð°ð®ð» ðð®ðªðœ
ðžð¶ð·ð¶
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ððŸðŒðœð²ð¬ð® ðð ððªð¶ð¹ðªð²ð°ð·
ðžð¶ð¶ðŸ - ðžð¶ð·ð¶
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ððŒð¹ðžðŒð²ðœðž ððžðµðµð®ð¬ðœð²ðžð·ðŒ ðð ððªð¶ð¹ðªð²ð°ð·
ðžð¶ð¶ðœ - ðžð¶ð·ðŒ
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ð£ð±ð® ðð®ð«ðŸðœ
ðžð-ð¿ððððððððð | ð°ðððð | ðžð¶ðžðž
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"ððœ'ðŒ ðð®ðœðœð®ð» ðð¯ ðšðžðŸ ððž"
ðððððð | ðžð¶ðžð·
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ð£ð²ðœðµð®
ð²ðððððð¢ { i.e., Academy Awards } | ð°ð ððð { i.e., Best Actress } | ðððð
{ there might be multiple lines / companies / awards for one title }
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{ add as many of these as you need to encompass all the work they would've been nominated for }
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ð£ð²ðœðµð®
ð²ðððððð¢ { i.e., Academy Awards } | ð°ð ððð { i.e., Best Actress } | ðððð
{ there might be multiple lines / companies / awards for one title }
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{ add as many of these as you need to encompass all the work they would've won something for }
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