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KZOMBI3

ʟᴀʏᴏᴜᴛ ꜰᴏʀᴍᴀᴛ ᴄʀᴇᴀᴛᴇᴅ ʙʏ ᴀʏᴢʀᴜʟᴇꜱ

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❝ 𝐒𝐧𝐚𝐤𝐞𝐬 𝐢𝐧 𝐭𝐡𝐞 𝐠𝐫𝐚𝐬𝐬 𝐭𝐫𝐲𝐧𝐚 𝐬𝐥𝐢𝐭𝐡𝐞𝐫 𝐟𝐚𝐬𝐭, 𝐈 𝐣𝐮𝐬𝐭 𝐛𝐨𝐮𝐠𝐡𝐭 𝐚 𝐟𝐮𝐜𝐤𝐢𝐧' 𝐥𝐚𝐰𝐧 𝐦𝐨𝐰𝐞𝐫 ❞

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❀ 𝑨𝑷𝑷𝑳𝑰𝑪𝑨𝑻𝑰𝑶𝑵 𝑭𝑶𝑹 𝑬𝑵𝑹𝑶𝑳𝑳𝑴𝑬𝑵𝑻

❀ 𝓒𝓻𝓪𝔃𝔂 𝓣𝓪𝓵𝓮𝓷𝓽𝓮𝓭 ❀ 𝓨𝓮𝓪𝓻 3 ❀ 𝓗𝓸𝓾𝓼𝓮 𝓛𝓲𝓪𝓷

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❀ 𝑭𝑼𝑳𝑳 𝑵𝑨𝑴𝑬
|•• ᴋɪɴᴏ ᴍɪᴄʜɪʀᴜᴜ

❀ 𝑨𝑮𝑬, 𝒀𝑬𝑨𝑹
|•• 21

❀ 𝑫𝑨𝑻𝑬 𝑶𝑭 𝑩𝑰𝑹𝑻𝑯, 𝒁𝑶𝑫𝑰𝑨𝑪 𝑨𝑵𝑰𝑴𝑨𝑳
|•• ɴᴏᴠ. 22ɴᴅ ꜱᴄᴏʀᴘɪᴏ | ꜱᴀɢ ᴄᴜꜱᴘ | ᴛʜᴇ ᴏx

❀ 𝑯𝑶𝑴𝑬𝑻𝑶𝑾𝑵
|•• ᴋᴀʙᴜᴋɪᴄʜŌ, ᴛᴏᴋʏᴏ , ᴊᴀᴘᴀɴ.

❀ 𝑴𝑶𝑫𝑬𝑳
|•• ᴀɴᴅʏ ʙʟᴏꜱꜱᴏᴍ

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❀ 𝑺𝑻𝑹𝑬𝑵𝑮𝑻𝑯𝑺/𝑺𝑲𝑰𝑳𝑳𝑺
|•• ᴘɪᴄᴛᴏᴍᴀɴᴄʏ - ᴛʜᴇ ᴀʙɪʟɪᴛʏ ᴛᴏ ᴄᴏɴᴛʀᴏʟ ᴏᴛʜᴇʀ ʟɪᴠɪɴɢ ᴛʜɪɴɢꜱ ꜰʀᴏᴍ ᴀ ᴡɪᴅᴇ ᴠᴀʀɪᴇᴛʏ ᴏꜰ ᴍᴇᴅɪᴜᴍꜱ [ ᴛᴏ ᴀ ᴄᴇʀᴛᴀɪɴ ᴅᴇɢʀᴇᴇ ] ꜰᴏʀ ᴀ 24 ʜʀ ᴘᴇʀɪᴏᴅ - ᴏʀ ᴜɴᴛɪʟ ᴛʜᴇʏ'ʀᴇ ᴅᴇꜱᴛʀᴏʏᴇᴅ | ɪɴᴋ ʙᴀꜱᴇᴅ [ ᴛᴀᴛᴛᴏᴏꜱ ] ᴀʀᴇ ʜᴇʀ ꜰᴀᴠᴏʀɪᴛᴇ ᴍᴇᴅɪᴜᴍꜱ ᴛᴏ ᴜꜱᴇ - ᴛʜᴇʏ ᴛᴇɴᴅ ᴛᴏ ʟᴀꜱᴛ ʟᴏɴɢᴇʀ [ ᴄʟᴏꜱᴇʀ ᴛᴏ ᴛʜᴀᴛ ꜰᴜʟʟ 24 ʜʀ ᴘᴇʀɪᴏᴅ ] ᴀɴᴅ ꜱʜᴇ ᴅᴏᴇꜱɴ'ᴛ ʜᴀᴠᴇ ᴛᴏ ᴡᴏʀʀʏ ᴀʙᴏᴜᴛ ᴄᴀʀʀʏɪɴɢ ᴇxᴛʀᴀ ɪᴛᴇᴍꜱ ᴡɪᴛʜ ʜᴇʀ ᴀᴛ ᴀɴʏ ᴛɪᴍᴇ - ꜱʜᴇ ᴊᴜꜱᴛ ᴜꜱᴇꜱ ʜᴇʀ ᴏᴡɴ ʙᴏᴅʏ ᴀʀᴛ | ᴀʙɪʟɪᴛʏ ᴛᴏ ʀᴇᴍᴇᴍʙᴇʀ ᴘᴇᴏᴘʟᴇ ᴀꜰᴛᴇʀ ᴍᴇᴇᴛɪɴɢ ᴛʜᴇᴍ ᴏɴᴄᴇ | ʀᴇᴍᴇᴍʙᴇʀꜱ ᴘᴇᴏᴘʟᴇ ʙʏ ʟɪᴛᴛʟᴇ ᴛʜɪɴɢꜱ ꜱʜᴇ ᴘɪᴄᴋꜱ ᴜᴘ ᴀɴᴅ ɴᴏᴛɪᴄᴇꜱ ᴀʙᴏᴜᴛ ᴛʜᴇᴍ ᴏʀ ꜱᴏᴍᴇᴛʜɪɴɢ ᴛʜᴇʏ ꜱᴀɪᴅ / ᴅɪᴅ | ᴛᴀᴛᴛᴏᴏɪɴɢ | ᴅᴏᴏᴅʟɪɴɢ | ʜᴀʀᴅᴡᴏʀᴋɪɴɢ | ɪʟʟᴜꜱɪᴏɴꜱ | ᴘᴏᴛɪᴏɴꜱ | ᴀʙɪʟɪᴛʏ ᴛᴏ ʟᴇᴀʀɴ Qᴜɪᴄᴋʟʏ + ᴏɴ ᴛʜᴇ ꜰʟʏ | ᴄʜᴀʀɪꜱᴍᴀᴛɪᴄ | ɴᴀᴛᴜʀᴀʟ ᴘᴇᴏᴘʟᴇ ᴘᴇʀꜱᴏɴ | ʟᴇᴀᴅᴇʀ ᴍᴀᴛᴇʀɪᴀʟ | ᴛʜᴇ ᴛʏᴘᴇ ᴏꜰ ᴘᴇʀꜱᴏɴ ᴛʜᴀᴛ ɢᴇᴛꜱ ᴡᴏʀᴋ ᴅᴏɴᴇ Qᴜɪᴄᴋʟʏ ᴀɴᴅ ᴄᴏʀʀᴇᴄᴛʟʏ ꜱᴏ ᴛʜᴀᴛ ꜱʜᴇ ʜᴀꜱ ᴍᴏʀᴇ ᴛɪᴍᴇ ᴛᴏ ɢᴏᴏꜰ ᴏꜰꜰ ᴀɴᴅ ᴅᴏ ᴡʜᴀᴛᴇᴠᴇʀ ꜱʜᴇ ᴡᴀɴᴛꜱ | ʟɪᴠᴇꜱ ʟɪꜰᴇ ᴛᴏ ᴛʜᴇ ꜰᴜʟʟᴇꜱᴛ - ᴛʀɪᴇꜱ ᴛᴏ ᴀᴛ ʟᴇᴀꜱᴛ | ᴠᴇʀʏ ɪɴᴄʟᴜꜱɪᴠᴇ

❀ 𝑪𝑳𝑨𝑺𝑺 𝑺𝑪𝑯𝑬𝑫𝑼𝑳𝑬
| |-ᴄʟᴀꜱꜱ 1 • ɪʟʟᴜꜱɪᴏɴꜱ ᴀɴᴅ ɢʟᴀᴍᴏᴜʀꜱ
ᴄʟᴀꜱꜱ 2 • ᴀᴅᴠᴀɴᴄᴇᴅ ᴇɴᴄʜᴀɴᴛᴍᴇɴᴛꜱ ᴀɴᴅ ᴄʜᴀʀᴍꜱ
ᴄʟᴀꜱꜱ 3 • ᴀᴅᴠᴀɴᴄᴇᴅ ᴘᴏᴛɪᴏɴꜱ
ᴄʟᴀꜱꜱ 4 • ᴀᴅᴠᴀɴᴄᴇᴅ ʜᴇʀʙᴏʟᴏɢʏ
ᴄʟᴀꜱꜱ 5 • ᴀᴅᴠᴀɴᴄᴇᴅ ʜᴜᴍᴀɴ ꜱᴛᴜᴅɪᴇꜱ
ᴇxᴛʀᴀᴄᴜʀʀɪᴄᴜʟᴀʀ 1 • ᴀʀᴛ [ ᴄᴀʟʟɪɢʀᴀᴘʜʏ | ᴛᴀᴛᴛᴏᴏɪɴɢ | ʙʀᴜꜱʜ ᴘᴀɪɴᴛɪɴɢ ]
ᴇxᴛʀᴀᴄᴜʀʀɪᴄᴜʟᴀʀ 2 • ᴅᴀɴᴄᴇ [ ʜɪᴘ - ʜᴏᴘ ]
ᴇxᴛʀᴀᴄᴜʀʀɪᴄᴜʟᴀʀ 3 •

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❀ 𝑷𝑬𝑹𝑺𝑶𝑵𝑨𝑳𝑰𝑻𝒀
|•• ᴍɪᴄʜɪʀᴜᴜ ɪꜱ ᴀ ꜰʀᴇᴇ ꜱᴘɪʀɪᴛ ᴡɪᴛʜ ᴀɴ ᴏᴘᴛɪᴍɪꜱᴛɪᴄ ᴏᴜᴛʟᴏᴏᴋ ᴍɪxᴇᴅ ᴡɪᴛʜ ꜱᴇʟꜰ-ᴅᴇꜱᴛʀᴜᴄᴛɪᴠᴇ ᴛᴇɴᴅᴇɴᴄɪᴇꜱ. ꜱʜᴇ ᴠɪᴇᴡꜱ ᴛʜᴇ ᴡᴏʀʟᴅ ᴀꜱ ᴀ ᴘʟᴀᴄᴇ ɴᴇᴇᴅɪɴɢ ᴛᴏ "ʟɪɢʜᴛᴇɴ ᴜᴘ", ᴀɴᴅ ꜱʜᴇ'ꜱ ᴊᴜꜱᴛ ᴛʜᴇ ʟɪᴛᴛʟᴇ-ᴘɪᴇᴅ ᴘʀᴀɴᴋꜱᴛᴇʀ ᴛᴏ ʟᴇᴀᴅ ᴛʜᴇ ᴡᴀʏ, ᴡʜɪᴄʜ ɪꜱ ɴᴏ ᴅᴏᴜʙᴛ ᴘᴀʀᴛ ᴏꜰ ʜᴇʀ ᴇꜰꜰᴏʀᴛꜱ ᴛᴏ ᴅɪꜱᴀꜱꜱᴏᴄɪᴀᴛᴇ ʜᴇʀꜱᴇʟꜰ ꜰʀᴏᴍ ʜᴇʀ ᴏᴡɴ ᴅɪꜰꜰɪᴄᴜʟᴛ ᴄʜɪʟᴅʜᴏᴏᴅ. ʙᴜᴛ ᴡɪᴛʜ ᴛʜɪꜱ ᴅᴇᴠɪʟ-ᴍᴀʏ-ᴄᴀʀᴇ ᴀᴛᴛɪᴛᴜᴅᴇ, ꜱʜᴇ ᴅᴏᴇꜱɴ'ᴛ ɢɪᴠᴇ ᴀ ᴛʜᴏᴜɢʜᴛ ᴀʙᴏᴜᴛ ᴛʜᴇ ᴄᴏɴꜱᴇQᴜᴇɴᴄᴇꜱ ᴏꜰ ʜᴇʀ ᴀᴄᴛɪᴏɴꜱ, ɴᴏʀ ᴛʜᴇ ʟɪᴛᴛʟᴇ ᴡᴀᴋᴇ ᴏꜰ ᴅᴇꜱᴛʀᴜᴄᴛɪᴏɴ ꜱʜᴇ ᴛᴇɴᴅꜱ ᴛᴏ ʟᴇᴀᴠᴇ ʙᴇʜɪɴᴅ. ᴍɪᴄʜɪʀᴜᴜ ꜱᴇᴇᴍꜱ ᴛᴏ ᴀᴄᴛ ᴜᴘᴏɴ ᴛʜɪɴɢꜱ ʀᴀᴛʜᴇʀ ᴛʜᴀɴ ᴛʜɪɴᴋ ᴛʜᴇᴍ ᴛʜʀᴏᴜɢʜ ꜰɪʀꜱᴛ. ꜱʜᴇ'ꜱ ɴᴏᴛ ᴍᴜᴄʜ ᴏꜰ ᴀ ʀᴜʟᴇ-ꜰᴏʟʟᴏᴡᴇʀ, ɴᴏʀ ᴅᴏᴇꜱ ꜱʜᴇ ᴛᴀᴋᴇ ᴄᴏᴍᴍᴀɴᴅꜱ ꜰʀᴏᴍ ᴏᴛʜᴇʀꜱ ʟɪɢʜᴛʟʏ. ᴡʜɪʟᴇ ꜱʜᴇ'ꜱ ɴᴏᴛ ᴍᴀʟɪᴄɪᴏᴜꜱ, ᴛʜᴇ ʟᴀᴄᴋ ᴏꜰ ᴅɪꜱᴄɪᴘʟɪɴᴇ ᴀɴᴅ ᴍɪꜱᴄʜɪᴇᴠᴏᴜꜱɴᴇꜱꜱ ʜᴀᴠᴇ ᴍᴀᴅᴇ ʜᴇʀ ᴀ ᴛʀᴏᴜʙʟᴇꜱᴏᴍᴇ ɢᴜᴇꜱᴛ ꜰᴏʀ ᴀɴʏᴏɴᴇ ᴡɪʟʟɪɴɢ ᴛᴏ ᴛᴀᴋᴇ ʜᴇʀ ɪɴ. ʟᴏᴜᴅ ᴀɴᴅ ɴᴏᴛ ᴀꜰʀᴀɪᴅ ᴛᴏ ꜱᴀʏ ᴡʜᴀᴛ’ꜱ ᴏɴ ʜᴇʀ ᴍɪɴᴅ, ᴍɪᴄʜɪʀᴜᴜ ɪꜱ ᴀʟʟ ᴀʙᴏᴜᴛ ʜᴀᴠɪɴɢ ꜰᴜɴ ᴀɴᴅ ᴇɴᴊᴏʏɪɴɢ ᴛʜᴇ ᴘᴀʀᴛʏ.

ᴏᴠᴇʀ-ᴀᴍʙɪᴛɪᴏᴜꜱ, ᴄᴏᴄᴋʏ - ᴇꜱᴘᴇᴄɪᴀʟʟʏ ᴡʜᴇɴ ɪᴛ ᴄᴏᴍᴇꜱ ᴛᴏ ʜᴇʀ ᴏᴡɴ ᴛᴀʟᴇɴᴛꜱ ᴀɴᴅ ɪɴᴛᴇʟʟɪɢᴇɴᴄᴇ, ɪᴍᴘᴜʟꜱɪᴠᴇ, ʜᴇᴀᴅꜱᴛʀᴏɴɢ, ꜱᴛᴜʙʙᴏʀɴ, ꜱʜᴀʀᴘ-ᴡɪᴛᴛᴇᴅ, Qᴜɪᴄᴋ ᴛʜɪɴᴋɪɴɢ, ᴀɴ ᴀʙꜱᴏʟᴜᴛᴇ ɪɴꜱᴛɪɢᴀᴛᴏʀ, ꜱᴏᴍᴇᴡʜᴀᴛ ᴏꜰ ᴀ ʙᴜʟʟʏ, ᴇᴅɢʏ, ɪʀʀɪᴛᴀʙʟᴇ, ᴅᴇᴛᴇʀᴍɪɴᴇᴅ, ᴏʙꜱᴇʀᴠᴀɴᴛ, ɪɴᴛᴜɪᴛɪᴠᴇ, ᴄᴏɴꜰɪᴅᴇɴᴛ, ᴄᴜɴɴɪɴɢ, ꜱᴏᴍᴇᴡʜᴀᴛ Qᴜᴇꜱᴛɪᴏɴᴀʙʟᴇ ᴀɴᴅ ᴜɴᴛʀᴜꜱᴛᴡᴏʀᴛʜʏ ꜰʀᴏᴍ ᴛɪᴍᴇ ᴛᴏ ᴛɪᴍᴇ, ᴀʟᴡᴀʏꜱ ɪɴ ᴛʀᴏᴜʙʟᴇ ꜰᴏʀ ꜱᴏᴍᴇᴛʜɪɴɢ, ᴄᴀɴ ᴏᴘᴇɴ ᴜᴘ ᴛᴏ ᴊᴜꜱᴛ ᴀʙᴏᴜᴛ ᴀɴʏᴏɴᴇ - ᴛʜᴏᴜɢʜ ᴠᴇʀʏ ꜰᴇᴡ ᴀꜱᴋ ᴀʙᴏᴜᴛ ʜᴇʀ ᴘᴀꜱᴛ. ᴠᴇʀʏ ᴏᴘɪɴɪᴏɴᴀᴛᴇᴅ ᴀɴᴅ ꜱᴇʟᴇᴄᴛɪᴠᴇ, ᴀ ᴛᴇʀʀɪʙʟᴇ ʟɪᴀʀ, ʟᴀᴜɢʜꜱ ᴀᴛ ʜᴇʀ ᴏᴡɴ ꜱᴛᴜᴘɪᴅ ᴊᴏᴋᴇꜱ, ꜱᴇᴇᴍꜱ ᴅᴀʀᴋ ᴀɴᴅ ᴍʏꜱᴛᴇʀɪᴏᴜꜱ, ɪꜱ ᴀᴄᴛᴜᴀʟʟʏ ᴀ ɢɪᴀɴᴛ ᴘᴜᴘᴘʏ, ɪꜱ ʀᴇᴀᴅʏ ᴛᴏ ꜰɪɢʜᴛ 110% ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ, ʟᴏᴜᴅ ᴀɴᴅ ᴏʙɴᴏxɪᴏᴜꜱ ꜰʀᴏᴍ ᴛɪᴍᴇ ᴛᴏ ᴛɪᴍᴇ, ꜱʜᴇ ᴋɴᴏᴡꜱ ꜱʜᴇ’ꜱ ᴛᴀʟᴇɴᴛᴇᴅ ʙᴜᴛ ꜱʜᴇ ᴛᴀᴋᴇꜱ ɪᴛ ᴀ ʟɪᴛᴛʟᴇ ᴛᴏᴏ ꜰᴀʀ ꜱᴏᴍᴇᴛɪᴍᴇꜱ, ᴠᴇʀʏ ɢᴏᴏᴅ ᴀᴛ ᴡʜᴀᴛ ꜱʜᴇ ᴅᴏᴇꜱ, ʜɪɢʜʟʏ ɪɴᴛᴇʟʟɪɢᴇɴᴛ, ᴀ ʙɪᴛ ᴏꜰ ᴀ ɴᴀꜱᴛʏ ʙɪᴛᴄʜ, ᴀᴄᴛᴜᴀʟʟʏ ᴠᴇʀʏ ᴘʟᴇᴀꜱᴀɴᴛ ᴀɴᴅ ᴀ ꜰᴜɴɴʏ ᴘᴇʀꜱᴏɴ ᴡʜᴇɴ ʏᴏᴜ ɢᴇᴛ ᴛᴏ ᴋɴᴏᴡ ʜᴇʀ, ʜᴀꜱ ᴀ ɢʀᴇᴀᴛ ꜱᴇɴꜱᴇ ᴏꜰ ʜᴜᴍᴏʀ, ᴘʀᴇᴛᴛʏ ᴏᴅᴅ ᴀɴᴅ ꜱʟɪɢʜᴛʟʏ ᴜɴᴘʀᴇᴅɪᴄᴛᴀʙʟᴇ ᴀᴛ ᴛɪᴍᴇꜱ, ᴋɴᴏᴡꜱ ʜᴏᴡ ᴛᴏ ᴘᴏᴜʀ ᴏɴ ᴛʜᴇ ᴄʜᴀʀᴍ, ᴅᴏᴇꜱɴ'ᴛ ꜱᴇᴇᴍ ʟɪᴋᴇ ᴛʜᴇ ꜰʀɪᴇɴᴅʟɪᴇꜱᴛ ᴏꜰ ᴘᴇᴏᴘʟᴇ ᴡʜᴇɴ ʏᴏᴜ ꜰɪʀꜱᴛ ᴍᴇᴇᴛ ʜᴇʀ, ʙᴜᴛ ᴡɪʟʟ ᴘʀᴏᴠᴇ ᴛᴏ ʙᴇ ᴀɴ ᴇxᴄᴇʟʟᴇɴᴛ ᴀɴᴅ ʟᴏʏᴀʟ ꜰʀɪᴇɴᴅ ɪꜰ ꜱʜᴇ ᴀᴄᴛᴜᴀʟʟʏ ᴅᴇᴇᴍꜱ ʏᴏᴜ ᴡᴏʀᴛʜʏ ᴏꜰ ʜᴇʀ ᴛɪᴍᴇ

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❀ 𝑺𝑻𝑼𝑫𝑬𝑵𝑻 𝑩𝑨𝑪𝑲𝑮𝑹𝑶𝑼𝑵𝑫
|•• ᴍɪᴄʜɪʀᴜᴜ ʜᴀꜱ ʙᴇᴇɴ ᴀᴛᴛᴇɴᴅɪɴɢ 𝓣𝓱𝓮 𝓜𝓮𝓲-𝓛𝓲 𝓘𝓷𝓼𝓽𝓲𝓽𝓾𝓽𝓮 𝓸𝓯 𝓐𝓻𝓽𝓼 𝓪𝓷𝓭 𝓢𝓬𝓲𝓮𝓷𝓬𝓮𝓼 ꜱɪɴᴄᴇ ʜᴇʀ ɢᴜᴀʀᴅɪᴀɴ, ᴋɪʀɪɢᴀᴋᴜʀᴇ, ᴍᴀɴᴅᴀᴛᴇᴅ ɪᴛ ᴡʜᴇɴ ꜱʜᴇ ᴛᴜʀɴᴇᴅ 18. ʜᴇʀ ᴏʟᴅᴇʀ ʙʀᴏᴛʜᴇʀ, ʏᴜᴜᴊɪ, ᴀᴛᴛᴇɴᴅᴇᴅ ᴀ ᴡʜᴏʟᴇ 2 ʏᴇᴀʀꜱ ʙᴇꜰᴏʀᴇ ꜱʜᴇ ᴅɪᴅ, ᴛᴏ ᴛʜᴇ ᴘʀᴇꜱᴛɪɢɪᴏᴜꜱ ᴀʟʟ-ʙᴏʏꜱ ᴇQᴜɪᴠᴀʟᴇɴᴛ ᴀᴄᴀᴅᴇᴍʏ ꜰᴏʀ ꜱᴏʀᴄᴇʀᴇʀꜱ, ᴀɴᴅ ᴡᴏᴜʟᴅ ᴄᴏᴍᴇ ʜᴏᴍᴇ ᴅᴜʀɪɴɢ ᴏꜰꜰ ᴘᴇʀɪᴏᴅꜱ ᴛᴇʟʟɪɴɢ ꜱᴛᴏʀɪᴇꜱ ᴀʙᴏᴜᴛ ᴀʟʟ ᴛʜᴇ ᴡᴏɴᴅᴇʀꜰᴜʟ ᴄʟᴀꜱꜱᴇꜱ ʜᴇ ᴡᴀꜱ ᴀʙʟᴇ ᴛᴏ ᴛᴀᴋᴇ ᴘᴀʀᴛ ɪɴ. ᴇxᴘᴀɴᴅɪɴɢ ᴏɴ ᴛʜᴇ ᴍɪɴɪᴍᴀʟ ᴍᴀɢɪᴄᴀʟ ᴋɴᴏᴡʟᴇᴅɢᴇ ᴛʜᴀᴛ ᴛʜᴇ ᴋɪɴᴏ ᴋɪᴅꜱ ʜᴀᴅ.

ʏᴜᴜᴊɪ ʜᴀᴅ ʙᴇᴇɴ ꜱᴏʀᴛᴇᴅ ɪɴᴛᴏ the ʜᴏᴜꜱᴇ ʟɪᴀɴ ᴇQᴜɪᴠᴀʟᴇɴᴛ, ᴍɪᴄʜɪʀᴜᴜ ᴡᴀꜱ ꜱᴏʀᴛᴇᴅ ɪɴᴛᴏ ʜᴏᴜꜱᴇ ʟɪᴀɴ ᴡʜɪʟᴇ ʜᴀʏᴏʀɪ ᴡᴀꜱ ꜱᴏʀᴛᴇᴅ ɪɴ ʜᴏᴜꜱᴇ ᴍᴇɪ ᴀ ʏᴇᴀʀ ᴀꜰᴛᴇʀ ᴍɪᴄʜɪʀᴜᴜ ꜱᴛᴀʀᴛᴇᴅ ᴍᴇɪ-ʟɪ.

ᴛʜᴏᴜɢʜ ᴛʜᴇʏ ᴡᴇʀᴇ ɪɴ ᴅɪꜰꜰᴇʀᴇɴᴛ ʜᴏᴜꜱᴇꜱ, ᴛʜᴇʏ ꜱᴛɪʟʟ ᴡᴇʀᴇ ᴀʙʟᴇ ᴛᴏ ꜰɪɴᴅ ᴛɪᴍᴇ ᴛᴏ ꜱᴘᴇɴᴅ ᴡɪᴛʜ ᴏɴᴇ ᴀɴᴏᴛʜᴇʀ. ʙᴇ ɪᴛ ᴀᴛ ᴛʜᴇ ɢᴀʀᴅᴇɴꜱ, ᴅᴜʀɪɴɢ ʟᴜɴᴄʜ - ᴏʀ ᴇᴠᴇɴ ɪɴ ᴛʜᴇɪʀ ʙʀᴇᴀᴋ ᴘᴇʀɪᴏᴅꜱ. ᴛʜᴇʏ ᴀʟᴡᴀʏꜱ ꜰɪɴᴅ ᴀ ᴡᴀʏ ᴛᴏ ꜱᴇᴇ ᴏɴᴇ ᴀɴᴏᴛʜᴇʀ. ᴅᴜʀɪɴɢ ᴛʜᴇ ᴡᴇᴇᴋᴇɴᴅ ᴀɴᴅ ʙʀᴇᴀᴋ ᴘᴇʀɪᴏᴅꜱ, ɪᴛ ᴡᴀꜱ ᴍᴀɪɴʟʏ ʏᴜᴜᴊɪ ᴀɴᴅ ᴍɪᴄʜɪʀᴜᴜ ꜱᴇᴇᴋɪɴɢ ᴏᴜᴛ ᴛᴏ ʙᴏᴛʜᴇʀ ᴛʜᴇɪʀ ʏᴏᴜɴɢᴇꜱᴛ ᴀɴᴅ ᴍᴏꜱᴛ ꜱᴛᴜᴅɪᴏᴜꜱ ᴏꜰ ꜱɪʙʟɪɴɢꜱ.

ᴍɪᴄʜɪʀᴜᴜ ʜᴀꜱ ᴛʜʀɪᴠᴇᴅ ᴡɪᴛʜɪɴ ᴛʜᴇ ᴄᴜʟᴛᴜʀᴇ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ ᴘʀᴏᴠɪᴅᴇꜱ ᴀɴᴅ ꜱʜᴇ ᴀʙꜱᴏʟᴜᴛᴇʟʏ ʟᴏᴠᴇꜱ ʙᴇɪɴɢ ᴀ ꜱᴛᴜᴅᴇɴᴛ. ᴛʜᴇ ᴀʙɪʟɪᴛʏ ᴛᴏ ʟᴇᴀʀɴ ᴀɴᴅ ᴇxᴘᴀɴᴅ ᴏɴ ʜᴇʀꜱᴇʟꜰ ɪɴ ʜᴇʀ ᴏᴡɴ ᴜɴɪQᴜᴇ ᴡᴀʏ ʜᴀꜱ ᴅᴏɴᴇ ᴡᴏɴᴅᴇʀꜱ ᴛᴏ ᴛʜᴇ ᴍɪᴅᴅʟᴇ ᴋɪɴᴏ ᴋɪᴅ. ꜱʜᴇ ʟᴏᴏᴋꜱ ꜰᴏʀᴡᴀʀᴅ ᴛᴏ ɢᴏɪɴɢ ʙᴀᴄᴋ ᴛᴏ ꜱᴄʜᴏᴏʟ ᴇᴠᴇʀʏ ʏᴇᴀʀ. ᴛʜᴏᴜɢʜ, ᴛʜɪꜱ ᴡɪʟʟ ʙᴇ ʜᴇʀ ᴀɴᴅ ʜᴀʏᴏʀɪ'ꜱ ꜰɪʀꜱᴛ ʏᴇᴀʀ ᴡɪᴛʜᴏᴜᴛ ᴛʜᴇɪʀ ʙʀᴏᴛʜᴇʀ ɴᴇᴀʀ ᴛʜᴇᴍ. ɪᴛ ᴡɪʟʟ ᴅᴇꜰɪɴɪᴛᴇʟʏ ᴘʀᴏᴠɪᴅᴇ ꜱᴏᴍᴇ ᴛʏᴘᴇ ᴏꜰ ᴄᴜʟᴛᴜʀᴇ ꜱʜᴏᴄᴋ ᴛᴏ ᴛʜᴇ ᴋɪɴᴏ ᴋɪᴅꜱ.

ᴍɪᴄʜɪʀᴜᴜ ʜᴀꜱ ᴀʟʀᴇᴀᴅʏ ᴛᴀᴋᴇɴ ᴛʜᴇ ᴍᴀɴᴅᴀᴛᴏʀʏ ᴍᴀɴᴅᴀʀɪɴ ᴄʜɪɴᴇꜱᴇ ʟᴀɴɢᴜᴀɢᴇ ᴄᴏᴜʀꜱᴇꜱ ꜰʀᴏᴍ ʜᴇʀ ꜰɪʀꜱᴛ ʏᴇᴀʀ ᴏʀ ꜱᴏ. ʙᴜᴛ ꜱʜᴇ ᴡᴀꜱ ʀᴇᴀʟʟʏ ᴄᴏɴᴛᴇᴍᴘʟᴀᴛɪɴɢ ᴏɴ ᴡʜᴇᴛʜᴇʀ ᴏʀ ɴᴏᴛ ꜱʜᴇ ᴡᴀɴᴛᴇᴅ ᴛᴏ ᴄᴏɴᴛɪɴᴜᴇ ᴡɪᴛʜ ᴛʜᴇᴍ, ᴄᴀᴜꜱᴇ 1. ꜱʜᴇ ʟɪᴋᴇᴅ ɪᴛ ᴀ ʟᴏᴛ 2. ɪᴛ ᴡᴀꜱ ᴘʀᴇᴛᴛʏ ᴇᴀꜱʏ ᴀꜰᴛᴇʀ ꜱʜᴇ ɢᴏᴛ ᴛʜᴇ ʜᴀɴɢ ᴏꜰ ɪᴛ ᴀɴᴅ ᴡᴏᴜʟᴅ ᴛʜɪɴᴋ ᴏꜰ ɪᴛ ᴀʟᴍᴏꜱᴛ ᴀꜱ ᴀ ʙʟᴏᴡ ᴏꜰꜰ ᴄʟᴀꜱꜱ. ꜱʜᴇ ᴛʜᴏᴜɢʜᴛ ʙᴇᴛᴛᴇʀ ᴏꜰ ᴛʜɪꜱ ʜᴏᴡᴇᴠᴇʀ, ᴀɴᴅ ᴅᴇᴄɪᴅᴇᴅ ᴏɴ ꜱᴏᴍᴇᴛʜɪɴɢ ᴀ ʟɪʟ ᴇᴀꜱɪᴇʀ - ʜᴜᴍᴀɴ ꜱᴛᴜᴅɪᴇꜱ.

ᴍɪᴄʜɪʀᴜᴜ ɪꜱ ʟᴏᴏᴋɪɴɢ ꜰᴏʀᴡᴀʀᴅ ɪʟʟᴜꜱɪᴏɴꜱ ᴀɴᴅ ꜱᴘᴇʟʟꜱ ᴛʜᴇ ᴍᴏꜱᴛ ᴛʜɪꜱ ʏᴇᴀʀ ᴅᴜᴇ ᴛᴏ ʜᴇʀ ᴡᴀɴᴛɪɴɢ ᴛᴏ ᴍᴀꜱᴛᴇʀ ᴘɪᴄᴛᴏᴍᴀɴᴄʏ ʙʏ ᴛʜᴇ ᴛɪᴍᴇ ꜱʜᴇ ʀᴇᴀᴄʜᴇꜱ ʜᴇʀ 25ᴛʜ ʏᴇᴀʀ. ᴀꜱ ᴏꜰ ʀɪɢʜᴛ ɴᴏᴡ, ᴛʜᴇʀᴇ ɪꜱɴ'ᴛ ᴀɴʏᴏɴᴇ ᴀᴛ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ ᴛʜᴀᴛ ᴄᴀɴ ʀᴇᴀʟʟʏ ʜᴇʟᴘ ʜᴇʀ ᴍᴀꜱᴛᴇʀ ᴛʜᴇ ɢɪꜰᴛ ꜱʜᴇ ᴡᴀꜱ ʙᴏʀɴ ᴡɪᴛʜ. ʙᴜᴛ, ʜᴇʀᴇ'ꜱ ᴛᴏ ʜᴏᴘɪɴɢ ꜱᴏᴍᴇ ɴᴇᴡ ʙʟᴏᴏᴅ ᴇɴʀᴏʟʟꜱ.

𝐔𝐏𝐃𝐀𝐓𝐄 ••
ᴡʜᴇɴ ꜱʜᴇ ɢᴇᴛꜱ ʙᴏʀᴇᴅ - ᴡʜɪᴄʜ ɪꜱ ʜᴏɴᴇꜱᴛʟʏ, ᴀ ʟᴏᴛ, ꜱʜᴇ ᴘʟᴀʏꜱ ᴀʀᴏᴜɴᴅ ᴡɪᴛʜ ʜᴇʀ 'ᴍᴀɴᴄʏ. ᴀ ʟᴏᴛ ᴏꜰ ᴛʜᴏꜱᴇ ᴛɪᴍᴇꜱ ʜᴀᴘᴘᴇɴ ᴛᴏ ʙᴇ ɪɴ ʜᴇʀ ᴀʀᴛ ᴄʟᴀꜱꜱᴇꜱ. ᴄᴀʟʟɪɢʀᴀᴘʜʏ ʙᴏʀᴇꜱ ʜᴇʀ ᴛᴏ ɴᴏ ᴇɴᴅ, ʏᴏᴜ ᴄᴀɴ'ᴛ ᴅʀᴀᴡ ᴘɪᴄᴛᴜʀᴇꜱ ɪɴ ᴛʜᴀᴛ ᴄʟᴀꜱꜱ! ᴛʜᴏᴜɢʜ ʜᴇʀ ʜᴀɴᴅᴡʀɪᴛɪɴɢ ɪꜱ ᴏɴ ᴘᴏɪɴᴛ! ꜱʜᴇ'ꜱ ᴛʜɪɴᴋɪɴɢ ᴏꜰ ʙʀᴏᴀᴅᴇɴɪɴɢ ʜᴇʀ ɪɴᴋɪɴɢ ꜱᴛʏʟᴇꜱ ᴛᴏ ɪɴᴄʟᴜᴅᴇ ʟᴇᴛᴛᴇʀɪɴɢ ᴀꜰᴛᴇʀ ᴛʜɪꜱ. ɪᴛ'ꜱ ᴛʜʀᴏᴜɢʜ ᴛʜᴇꜱᴇ ᴄʟᴀꜱꜱᴇꜱ, ᴀɴᴅ ʜᴇʀ ᴀʙɪʟɪᴛʏ ᴛᴏ ʙᴇ ʙᴏʀᴇᴅ ꜱᴏ ᴇᴀꜱɪʟʏ, ᴛʜᴀᴛ ꜱʜᴇ'ꜱ ᴄᴀᴜɢʜᴛ ᴛʜᴇ ᴀᴛᴛᴇɴᴛɪᴏɴ ᴏꜰ ᴛʜᴇ ᴏɴᴇ ᴀɴᴅ ᴏɴʟʏ, ᴄʜᴀᴇ ʏᴏᴏɴ ᴘᴀʀᴋ. ɪꜰ ʜᴇʀ ꜰᴇᴇʟɪɴɢ ɪꜱ ᴄᴏʀʀᴇᴄᴛ, ᴀɴᴅ ɪᴛ ɪꜱ - ᴄᴀᴜꜱᴇ ꜱʜᴇ'ꜱ ɢᴏᴛ ʟɪᴛᴛʟᴇ ɪɴᴋʟɪɴɢꜱ ʀᴏᴀᴍɪɴɢ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ, ᴋɪɴᴏ ꜱʜᴇ ꜱʜᴏᴜʟᴅ ʙᴇ ʜᴇᴀʀɪɴɢ ꜱᴏᴍᴇ ɪɴꜰᴏʀᴍᴀᴛɪᴏɴ ᴀʙᴏᴜᴛ ꜱᴏᴛʏ.

𝐔𝐏𝐃𝐀𝐓𝐄 ••
ᴋɪɴᴏ ᴛʜʀᴏᴡꜱ ꜱᴏᴍᴇ ᴏꜰ ᴛʜᴇ ᴍᴏꜱᴛ ᴇᴘɪᴄ ʙᴀɴɢᴇʀꜱ ᴀᴛ ᴛʜᴇ ꜱᴛᴀʀᴛ ᴏꜰ ᴇᴠᴇʀʏ ꜱᴄʜᴏᴏʟ ʏᴇᴀʀ, ᴀʟᴡᴀʏꜱ ʜᴀᴅ. ɪɴ ɴᴏɴ-ᴍᴀɢɪᴄ ꜱᴄʜᴏᴏʟ, ᴀᴍᴀᴛᴇʀᴀꜱᴜ ɢᴀᴋᴜᴇɴ - ᴡʜᴇʀᴇ ꜱʜᴇ ᴡᴀꜱ ʜᴏᴜꜱᴇ ᴍɪᴢᴜᴄʜɪ - ᴡʜᴏᴏᴘ ᴡʜᴏᴏᴘ - ᴀɴᴅ ɴᴏᴡ, ᴍᴇɪ - ʟɪ. ʜᴇʀ ɪᴅᴇᴀ ɪꜱ ᴛᴏ ɢᴇᴛ ᴇᴠᴇʀʏᴏɴᴇ ᴀᴄʀᴏꜱꜱ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ ɪɴᴠᴏʟᴠᴇᴅ ᴀɴᴅ ɢᴇᴛᴛɪɴɢ ᴛᴏ ᴋɴᴏᴡ ᴏɴᴇ ᴀɴᴏᴛʜᴇʀ. ᴀ ɢʀᴇᴀᴛ ᴡᴀʏ ꜰᴏʀ ɴᴇᴡ ᴀɴᴅ ᴏʟᴅ ᴛᴏ ᴄᴏᴍᴇ ᴛᴏɢᴇᴛʜᴇʀ ᴀɴᴅ ʙᴜɪʟᴅ ʀᴇʟᴀᴛɪᴏɴꜱ - ᴀʙꜱᴏʟᴜᴛᴇʟʏ ɴᴏᴏᴏᴏ ꜰɪɢʜᴛɪɴɢ ɪꜱ ᴀʟʟᴏᴡᴇᴅ ᴀꜱɪᴅᴇ ꜰʀᴏᴍ ᴛʜᴇ ꜰʀɪᴇɴᴅʟʏ ᴄᴏᴍᴘᴇᴛɪᴛɪᴏɴꜱ ꜱʜᴇ ʜᴀꜱ ꜱᴇᴛ ɪɴ ᴘʟᴀᴄᴇ. ᴇʟꜱᴇ ᴛʜᴇʀᴇ ᴡɪʟʟ ʙᴇ ꜱᴏᴍᴇ ꜱʜɪᴛ ɢᴏɪɴɢ ᴅᴏᴡɴ. ᴀɴᴏᴛʜᴇʀ ʀᴇᴀꜱᴏɴ ꜰᴏʀ ᴛʜᴇ ᴡɪʟᴅ ᴘᴀʀᴛʏ ɪꜱ ᴛᴏ ᴍᴇꜱꜱ ᴡɪᴛʜ ᴛʜᴇ "ꜰʀᴇꜱʜᴍᴇɴ" ʙᴇꜰᴏʀᴇ ᴛʜᴇɪʀ ꜰɪʀꜱᴛ ᴅᴀʏ ᴏꜰ ᴄʟᴀꜱꜱᴇꜱ ᴀᴛ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ. ᴀ ʜᴀʀᴍʟᴇꜱꜱ ʜᴀᴢɪɴɢ ᴘʀᴀɴᴋ ᴛʜᴀᴛ'ꜱ ʙᴇᴇɴ ɢᴏɪɴɢ ᴏɴ ᴀᴡʜɪʟᴇ. ᴏɴᴇ ꜱʜᴇ ɪɴᴛᴇɴᴅꜱ ᴛᴏ ᴘᴀꜱꜱ ᴅᴏᴡɴ ᴛᴏ ᴛʜᴇ ɴᴇxᴛ ᴏɴᴇ ᴅᴇᴇᴍᴇᴅ ᴡᴏʀᴛʜʏ.

ᴡʜᴇɴ ᴛʜᴇʏ ᴡᴇʀᴇ ʏᴏᴜɴɢᴇʀ ᴛʜᴇʏ ʀᴇᴀʟɪᴢᴇᴅ ᴛʜᴀᴛ ᴛʜᴇʏ ʜᴀᴅ ᴛʜᴇ ᴀʙɪʟɪᴛʏ ᴛᴏ ᴜꜱᴇ ᴘɪᴄᴛᴏᴍᴀɴᴄʏ ɪɴ ᴀ ʟɪᴍɪᴛᴇᴅ ᴄᴀᴘᴀᴄɪᴛʏ - ᴛʜᴏᴜɢʜ ɪᴛ ᴡᴀꜱ ꜱᴛɪʟʟ ꜱᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ᴛʜᴇ ᴏᴛʜᴇʀ ᴘʀɪᴇꜱᴛꜱ ᴀɴᴅ ᴘʀɪᴇꜱᴛᴇꜱꜱᴇꜱ ʜᴀᴅ ɴᴏᴛ ᴇᴠᴇʀ ꜱᴇᴇɴ ɪɴ ᴛʜᴇɪʀ ʟɪᴠᴇꜱ, ᴀɴᴅ ʜᴀᴅ ᴏɴʟʏ ᴇᴠᴇʀ ʜᴇᴀʀᴅ ᴏꜰ ɪɴ ᴛʜᴇ ᴏʟᴅ ᴛᴇxᴛꜱ ᴛʜᴀᴛ ʀᴇꜱɪᴅᴇᴅ ᴡɪᴛʜɪɴ ᴛʜᴇɪʀ ᴘʀᴀᴄᴛɪᴄᴇꜱ. ᴍɪᴄʜɪʀᴜᴜ ᴀʟᴡᴀʏꜱ ᴄᴇʟᴇʙʀᴀᴛᴇꜱ ᴛʜᴇ ꜰɪʀꜱᴛ ɴɪɢʜᴛ ʙᴀᴄᴋ ᴛᴏ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ ʙʏ ᴛʜʀᴏᴡɪɴɢ ᴀ ᴘᴀʀᴛʏ ɪɴ ᴛʜᴇ ᴄᴏᴍᴍᴏɴꜱ ᴏꜰ ʜᴏᴜꜱᴇ ʟᴀɴ. ᴇᴠᴇʀʏᴏɴᴇ ɪꜱ ɪɴᴠɪᴛᴇᴅ.

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❀ 𝑩𝑨𝑪𝑲𝑮𝑹𝑶𝑼𝑵𝑫

𝓚𝓲𝓷𝓸 𝓜𝓲𝓬𝓱𝓲𝓻𝓾𝓾 ᴡᴀꜱ ʙᴏʀɴ ɪɴ ᴋᴀʙᴜᴋɪᴄʜŌ, ᴛᴏᴋʏᴏ , ᴊᴀᴘᴀɴ ᴛᴏ ᴀ ʟɪɴᴇ ᴏꜰ ꜱʜʀɪɴᴇ ᴘʀɪᴇꜱᴛᴇꜱꜱᴇꜱ + ᴘʀɪᴇꜱᴛꜱ. ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ; 𝓚𝓲𝓷𝓸 𝓙𝓲𝓻𝓸 𝓪𝓷𝓭 𝓜𝓲𝓭𝓸𝓻𝓲𝔂𝓪 - 𝓚𝓲𝓷𝓸 𝓢𝓪𝔂𝓾𝓴𝓲 ᴡᴇʀᴇ ɴᴏᴛ ... ɴᴏʀᴍᴀʟ ʙʏ ᴀɴʏ ᴍᴇᴀɴꜱ.

ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ ᴡᴇʀᴇ ʟᴏɴɢ ꜱɪɴᴄᴇ ᴛᴇᴍᴘᴛᴇᴅ ʙʏ ᴛʜᴇ ᴇᴠɪʟ ꜰᴏʀᴄᴇꜱ ᴛʜᴀᴛ ʙᴇᴄᴋᴏɴᴇᴅ ᴛʜᴇᴍ ᴀɴᴅ ᴄᴀʟʟᴇᴅ ᴛᴏ ᴛʜᴇᴍ, ᴀʟᴍᴏꜱᴛ ᴏɴ ᴀ ᴅᴀɪʟʏ ʙᴀꜱɪꜱ. ᴛʜᴇ ᴘᴜʀɪꜰɪᴄᴀᴛɪᴏɴꜱ ᴛʜᴇʏ ᴡᴏᴜʟᴅ ᴄᴏɴᴅᴜᴄᴛ ɪɴ ᴛʜᴇ ꜱʜʀɪɴᴇꜱ ᴡᴀꜱɴ'ᴛ ᴇɴᴏᴜɢʜ ᴛᴏ ᴡᴀʀᴅ ᴏꜰꜰ ᴛʜᴇ ᴇᴠɪʟ ᴘʀᴇꜱᴇɴᴄᴇꜱ ᴛʜᴇʏ ꜰᴇʟᴛ. ɪɴ ᴛʜᴇ ᴇɴᴅ, ᴀʟᴏɴɢ ᴡɪᴛʜ ᴛʜᴇ ᴄᴏʀʀᴜᴘᴛɪᴏɴ ᴏꜰ ᴛʜᴇ 𝓨𝓪𝓴𝓾𝔃𝓪 ᴛʜᴀᴛ ᴡᴀꜱ ʜᴇᴀᴠɪʟʏ ɪɴꜰʟᴜᴇɴᴄɪɴɢ ᴛʜᴇ ᴀʀᴇᴀ, ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ ᴡᴇʀᴇ "ʙᴏᴜɢʜᴛ ᴏᴜᴛ" ᴀɴᴅ ʙᴇɢᴀɴ ᴛʜᴇɪʀ ᴏᴡɴ ʀᴇꜱᴇᴀʀᴄʜ ᴏꜰ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴍᴇᴀɴꜱ ᴛᴏ ᴛʀᴀᴘ ᴀɴᴅ ʜᴀʀɴᴇꜱꜱ ᴛʜᴀᴛ ᴇᴠɪʟ ᴇɴᴇʀɢʏ.

ᴛʜᴇʏ ᴡᴇʀᴇ ᴀʟᴜᴍɴɪ ᴏꜰ 𝓣𝓱𝓮 𝓜𝓮𝓲-𝓛𝓲 𝓘𝓷𝓼𝓽𝓲𝓽𝓾𝓽𝓮 𝓸𝓯 𝓐𝓻𝓽𝓼 𝓪𝓷𝓭 𝓢𝓬𝓲𝓮𝓷𝓬𝓮𝓼, ᴛʜᴇʀᴇꜰᴏʀᴇ ᴛʜᴇʏ ᴡᴇʀᴇ ᴡᴇʟʟ ᴠᴇʀꜱᴇᴅ ɪɴ ᴛʜᴇ ᴍᴀɢɪᴄ ᴀɴᴅ ᴀʀᴛꜱ ᴛʜᴀᴛ ᴡᴀꜱ ꜱᴇᴇᴘᴇᴅ ɪɴᴛᴏ ᴛʜᴇ ᴡᴏʀʟᴅ ᴀʀᴏᴜɴᴅ ᴛʜᴇᴍ. ᴊɪʀᴏ, ʜᴇʀ ꜰᴀᴛʜᴇʀ, ᴡᴀꜱ ᴇxᴄᴇᴘᴛɪᴏɴᴀʟʟʏ ᴛᴀʟᴇɴᴛᴇᴅ ɪɴ ʙɪɴᴅɪɴɢ ᴀɴᴅ ᴄᴀꜱᴛɪɴɢ ꜱᴘɪʀɪᴛꜱ ᴀɴᴅ ᴏᴛʜᴇʀ ᴇɴᴛɪᴛɪᴇꜱ ɪɴᴛᴏ ᴏᴛʜᴇʀ ᴏʙᴊᴇᴄᴛꜱ. ᴜꜱᴜᴀʟʟʏ ᴛʜɪꜱ ᴡᴀꜱ ᴅᴏɴᴇ ᴛᴏ ꜱᴇᴀʟ ᴀᴡᴀʏ ᴇᴠɪʟ ꜱᴘɪʀɪᴛꜱ ᴛᴏ ᴡᴇᴀᴋᴇɴ ᴛʜᴇᴍ ʙᴇꜰᴏʀᴇ ᴘᴜʀꜰɪʏɪɴɢ ᴛʜᴇᴍ ᴀʟᴛᴏɢᴇᴛʜᴇʀ. ʜᴇʀ ᴍᴏᴛʜᴇʀ, ꜱᴀʏᴜᴋɪ, ᴏɴ ᴛʜᴇ ᴏᴛʜᴇʀ ʜᴀɴᴅ ᴡᴀꜱ ʜᴇᴀᴅ ᴘʀɪᴇꜱᴛᴇꜱꜱ ᴀɴᴅ ʙᴇᴄᴀᴍᴇ ᴘᴏꜱꜱᴇꜱꜱᴇᴅ ʙʏ ᴀɴ ꜱᴛʀᴏɴɢ ᴇᴠɪʟ ꜰᴏx ꜱᴘɪʀɪᴛ ᴀꜰᴛᴇʀ ᴍɪᴄʜɪʀᴜᴜ'ꜱ ʏᴏᴜɴɢᴇꜱᴛ ꜱɪʙʟɪɴɢ'ꜱ ʙɪʀᴛʜ.

ɪᴛ ᴡᴀꜱ ~~ʜᴇʀ ᴍᴏᴛʜᴇʀ'ꜱ ɪᴅᴇᴀ~~ - ᴛʜᴇ ꜰᴏx' - ᴛᴏ ꜱᴛᴀʀᴛ ᴡɪᴛʜ ꜱᴜᴍᴍᴏɴɪɴɢ ᴄɪʀᴄʟᴇꜱ ʙʀᴀɴᴅᴇᴅ ɪɴᴛᴏ "ʜᴇʀ" ᴄʜɪʟᴅʀᴇɴ. ᴊɪʀᴏ, ʙᴇɪɴɢ ꜰᴜᴄᴋᴇᴅ ᴜᴘ ɪɴ ᴛʜᴇ ʜᴇᴀᴅ ᴀɴᴅ ᴜɴᴅᴇʀ ᴛʜᴇ ꜱᴘᴇʟʟ ᴏꜰ ᴛʜᴇ ʏᴏᴋᴀɪ, ᴀɢʀᴇᴇᴅ. ᴍɪᴄʜɪʀᴜᴜ, ᴀʟᴏɴɢ ᴡɪᴛʜ ʜᴇʀ ᴛᴡᴏ ꜱɪʙʟɪɴɢꜱ, ᴀʟʟ ʜᴀᴠᴇ ꜱᴜᴍᴍᴏɴɪɴɢ ᴄɪʀᴄʟᴇꜱ ʙʀᴀɴᴅᴇᴅ ɪɴᴛᴏ ᴛʜᴇ ꜱᴋɪɴ ᴏɴ ᴛʜᴇ ᴜɴᴅᴇʀꜱɪᴅᴇ ᴏꜰ ᴛʜᴇɪʀ ꜰᴏʀᴇᴀʀᴍꜱ.

ᴛᴏ ᴛʜᴇɪʀ ᴋɴᴏᴡʟᴇᴅɢᴇ ᴛʜᴇ ꜱᴜᴍᴍᴏɴɪɴɢ ᴄɪʀᴄʟᴇꜱ ʜᴀᴠᴇ ᴅᴏɴᴇ ɴᴏᴛʜɪɴɢ ᴏɴʟʏ ᴛᴏ ꜱᴇʀᴠᴇ ᴀꜱ ᴀ ʀᴇᴍɪɴᴅᴇʀ ᴏꜰ ᴛʜᴇɪʀ ᴘᴀꜱᴛ. ᴏɴᴇ ᴡʜɪᴄʜ ᴛʜᴇʏ ᴄᴀɴ'ᴛ ꜱᴇᴇᴍ ᴛᴏ ʀᴇᴄᴀʟʟ. ʜᴏᴡᴇᴠᴇʀ, ɴᴏᴡ ᴛʜᴀᴛ ᴛʜᴇʏ ᴀʀᴇ ᴀʟʟ ᴏʟᴅᴇʀ ᴀɴᴅ ʜᴀᴠᴇ ʜᴀᴅ ᴇxᴘᴇʀɪᴇɴᴄᴇᴅ ᴅʀᴇᴀᴍꜱ ɪɴ ᴡʜɪᴄʜ ᴛʜᴇɪʀ ᴍᴇᴍᴏʀɪᴇꜱ ᴀʀᴇ ᴄᴏᴍɪɴɢ ʙᴀᴄᴋ ᴛᴏ ᴛʜᴇᴍ, ᴛʜᴇʏ ʜᴀᴠᴇ ʙᴇᴇɴ ᴅᴏɪɴɢ ꜱᴏᴍᴇ ᴇxᴛᴇɴꜱɪᴠᴇ ʀᴇꜱᴇᴀʀᴄʜ ɪɴ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇꜱ ʟɪʙʀᴀʀʏ ᴛᴏ ꜱᴇᴇ ᴡʜᴀᴛ ᴛʜᴇʏ ᴄᴀɴ ᴅɪɢ ᴜᴘ.

ɴᴏᴛ ʟᴏɴɢ ɪɴᴛᴏ ᴍɪᴄʜɪ'ꜱ ʟɪꜰᴇ ᴡᴇʀᴇ ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ ᴄᴀᴜɢʜᴛ, ᴀꜰᴛᴇʀ ᴀ ʀᴀɪᴅ ᴏɴ ᴀ ᴋɴᴏᴡɴ ʏᴀᴋᴜᴢᴀ ᴡᴀʀᴇʜᴏᴜꜱᴇ. ᴛʜᴇʏ ᴡᴇʀᴇ ᴄᴀᴜɢʜᴛ ɪɴ ᴛʜᴇ ᴄʀᴏꜱꜱꜰɪʀᴇ ᴡʜᴇɴ ʙᴏᴛʜ ꜱɪᴅᴇꜱ ᴏᴘᴇɴᴇᴅ ᴜᴘ ᴀɴᴅ ꜰɪʀᴇᴅ ᴏɴ ᴇᴀᴄʜ ᴏᴛʜᴇʀ. ᴡʜᴇɴ ʜᴇʀ ᴍᴏᴛʜᴇʀ'ꜱ ʙᴏᴅʏ ᴡᴀꜱ ᴅᴀᴍᴀɢᴇᴅ, ᴛʜᴇ ꜰᴏx ᴅᴇᴍᴏɴ ᴡᴀꜱ ᴇxᴘᴇʟʟᴇᴅ.

ᴍɪᴄʜɪʀᴜᴜ ʟɪᴠᴇꜱ ᴡɪᴛʜ ʜᴇʀ ꜱɪʙʟɪɴɢꜱ ᴀᴛ ᴛʜᴇ 𝓨𝓪𝓼𝓪𝓴𝓪 𝓢𝓱𝓻𝓲𝓷𝓮 ᴡʜᴇʀᴇ ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ ᴅᴇꜰᴀᴄᴛᴏ'ᴅ ꜰʀᴏᴍ. ᴛʜᴇ 𝓱𝓮𝓪𝓭 𝓹𝓻𝓲𝓮𝓼𝓽𝓮𝓼𝓼; 𝓚𝓲𝓻𝓲𝓰𝓪𝓴𝓾𝓻𝓮, ɪꜱ ᴛʜᴇɪʀ ɢᴜᴀʀᴅɪᴀɴ ᴀɴᴅ ʟᴏᴏᴋꜱ ᴀꜰᴛᴇʀ ᴛʜᴇ ᴛʜʀᴇᴇ ᴀꜱ ɪꜰ ᴛʜᴇʏ ᴡᴇʀᴇ ʜᴇʀ ᴏᴡɴ. ᴛʜᴏᴜɢʜ, ꜱʜᴇ ᴅᴏᴇꜱ ᴍᴀᴋᴇ ꜱᴜʀᴇ ᴛᴏ ʙᴇ ꜱᴛʀɪᴄᴛ ᴀɴᴅ ʜᴀʀꜱʜ ᴏɴ ᴛʜᴇᴍ ᴡʜᴇɴ ɴᴇᴇᴅ ʙᴇ - ꜱʜᴇ ᴛʀɪᴇꜱ ᴛᴏ ᴋᴇᴇᴘ ɪɴ ᴍɪɴᴅ ᴛʜᴇ ᴛᴏʀᴛᴜʀᴇ ᴛʜᴇʏ ᴡᴇɴᴛ ᴛʜʀᴏᴜɢʜ ᴡʜᴇɴ ᴛʜᴇʏ ᴡᴇʀᴇ ʏᴏᴜɴɢᴇʀ.

ᴍɪᴄʜɪʀᴜᴜ ɢʀᴇᴡ ᴜᴘ ᴡɪᴛʜ ᴀ ꜰᴜᴄᴋᴇᴅ ᴜᴘ ᴍᴇɴᴛᴀʟɪᴛʏ ᴏꜰ ᴡʜᴀᴛ ᴀ ꜰᴀᴍɪʟʏ ꜱʜᴏᴜʟᴅ ʟᴏᴏᴋ ᴀɴᴅ ꜰᴇᴇʟ ʟɪᴋᴇ. ᴏʙᴠɪᴏᴜꜱʟʏ. ᴛʜᴇ ᴘᴀɪɴꜰᴜʟ ᴍᴇᴍᴏʀɪᴇꜱ ᴏꜰ ᴛʜᴇ ᴛᴏʀᴛᴜʀᴇ ᴀɴᴅ ᴇxᴘᴇʀɪᴍᴇɴᴛꜱ ᴛʜᴀᴛ ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ ᴘᴜᴛ ʜᴇʀ ᴀɴᴅ ꜱɪʙʟɪɴɢꜱ ᴛʜʀᴏᴜɢʜ ʜᴀᴠᴇ ʙᴇᴇɴ ʀᴇᴘʀᴇꜱꜱᴇᴅ ꜰᴏʀ ᴛʜᴇ ᴍᴏꜱᴛ ᴘᴀʀᴛ. ᴀ ᴛʏᴘᴇ ᴏꜰ ᴍᴀɢɪᴄ ᴛʜᴀᴛ ᴛʜᴇ ʜᴇᴀᴅ ᴘʀɪᴇꜱᴛᴇꜱꜱ ᴡᴀꜱ ᴏɴʟʏ ᴀʙʟᴇ ᴛᴏ ᴀᴄᴄᴏᴍᴘʟɪꜱʜ ᴡɪᴛʜ ᴛʜᴇ ʜᴇʟᴘ ᴏꜰ ᴛʜᴏꜱᴇ ᴏᴛʜᴇʀꜱ ᴀᴛ ᴛʜᴇ ꜱʜʀɪɴᴇ. ᴛʜᴏᴜɢʜ, ᴀꜱ ᴍɪᴄʜɪʀᴜᴜ ᴀɴᴅ ʜᴇʀ ꜱɪʙʟɪɴɢꜱ ɢʀᴏᴡ, ᴍᴇᴍᴏʀɪᴇꜱ ᴄᴏᴍᴇ ʙᴀᴄᴋ ᴛᴏ ᴛʜᴇᴍ ɪɴ ᴛʀɪᴄᴋʟᴇꜱ. ᴀɴᴅ ᴜꜱᴜᴀʟʟʏ ɪɴ ᴅʀᴇᴀᴍꜱ.

ꜱʜᴇ ᴀɴᴅ ʜᴇʀ ꜱɪʙʟɪɴɢꜱ ᴀʀᴇ Qᴜɪᴛᴇ ᴄʟᴏꜱᴇ ꜰᴏʀ ᴛʜᴇ ᴍᴏꜱᴛ ᴘᴀʀᴛ. ᴍɪᴄʜɪ ᴡᴀꜱ ᴏɴʟʏ 9 ᴀᴛ ᴛʜᴇ ᴛɪᴍᴇ ᴏꜰ ʜᴇʀ ᴘᴀʀᴇɴᴛꜱ' ... ᴅᴇᴍɪꜱᴇ.

ʜᴇʀ ᴏʟᴅᴇꜱᴛ ꜱɪʙʟɪɴɢ, ʜᴇʀ ʙʀᴏᴛʜᴇʀ; 𝓚𝓲𝓷𝓸 𝓨𝓾𝓾𝓳𝓲 - ɪꜱ ᴘʀᴏʙᴀʙʟʏ ᴛʜᴇ ᴏɴᴇ ꜱʜᴇ ɪꜱ ᴛʜᴇ ᴄʟᴏꜱᴇꜱᴛ ᴛᴏ. ʙᴏᴛʜ ꜱʜᴀʀᴇ ᴀ ʟᴏᴠᴇ ꜰᴏʀ ᴍᴇᴍᴇꜱ, ᴘᴜɴꜱ ᴀɴᴅ ᴀʟʟ ᴛʜɪɴɢꜱ ᴡɪʟᴅ ᴀɴᴅ ʀɪᴅɪᴄᴜʟᴏᴜꜱ. ʜᴇ'ꜱ ɢᴏᴛ ᴛʜᴇ ꜱᴛᴀᴍɪɴᴀ ᴏꜰ... ꜱᴏᴍᴇᴛʜɪɴɢ ᴡɪᴛʜ ᴀ ʟᴏᴛ ᴏꜰ ꜱᴛᴀᴍɪɴᴀ ᴀɴᴅ ᴛʜᴇ ᴇɴᴇʀɢʏ ᴏꜰ ᴀ ꜱᴍᴀʟʟ ᴄʜɪʟᴅ ʜᴏᴘᴘᴇᴅ ᴜᴘ ᴏɴ ᴀɴ ᴇɴᴅʟᴇꜱꜱ ꜱᴜᴘᴘʟʏ ᴏꜰ ᴄᴀꜰꜰɪɴᴇ.

ʜᴇʀ ʏᴏᴜɴɢᴇʀ ꜱɪʙʟɪɴɢ, ʜᴇʀ ꜱɪꜱᴛᴇʀ; 𝓚𝓲𝓷𝓸 𝓗𝓪𝔂𝓸𝓻𝓲 - ᴡʜᴏ'ꜱ ᴏɴʟʏ ᴀ ʏᴇᴀʀ ʏᴏᴜɴɢᴇʀ ᴛʜᴀɴ ʜᴇʀꜱᴇʟꜰ - ɪꜱ ᴍᴏʀᴇ ᴏɴ ᴛʜᴇ ʀᴇꜱᴇʀᴠᴇᴅ ꜱɪᴅᴇ. ᴄᴏᴏʟ, ᴄᴀʟᴍ, ᴄᴏʟʟᴇᴄᴛɪᴠᴇ. ᴀ ʏᴏᴜɴɢꜱᴛᴇʀ ᴡʜᴏ ᴛʜɪɴᴋꜱ ꜱʜᴇ'ꜱ ᴀ ᴋɴᴏᴡ ɪᴛ ᴀʟʟ - ᴀɴᴅ Qᴜɪᴛᴇ ꜰʀᴀɴᴋʟʏ ᴄᴏᴜʟᴅ ʙᴇ. ɪɴᴛᴇʟʟɪɢᴇɴᴛ ᴀɴᴅ ᴋɴᴏᴡꜱ ɪᴛ. ʜᴀʏᴏʀɪ ꜱᴛʀɪᴠᴇꜱ ꜰᴏʀ ᴇxᴄᴇʟʟᴇɴᴄᴇ ɪɴ ᴀʟʟ ᴛʜᴀᴛ ꜱʜᴇ ᴅᴏᴇꜱ. ᴛʜɪꜱ ᴄʟᴀꜱʜᴇꜱ ᴀ ʟᴏᴛ ʙᴇᴛᴡᴇᴇɴ ʜᴇʀ ᴀɴᴅ ʜᴇʀ ʙʀᴏᴛʜᴇʀ.

ʙᴇᴛᴡᴇᴇɴ ᴛʜᴇ ᴛᴡᴏ ꜱɪʙʟɪɴɢꜱ, ᴍɪᴄʜɪʀᴜᴜ ɢᴏᴛ ᴛʜᴇ ʙᴇꜱᴛ ᴏꜰ ʙᴏᴛʜ. ᴀᴛ ʟᴇᴀꜱᴛ ᴛʜᴀᴛꜱ ʜᴏᴡ ꜱʜᴇ ꜱᴇᴇꜱ ɪᴛ.

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𝐔𝐏𝐃𝐀𝐓𝐄 ••
ᴅᴜᴇ ᴛᴏ ʜᴇʀ ɪɴꜱᴏᴍɴɪᴀ, ᴍɪᴄʜɪ ʜᴀꜱ ʙᴇᴇɴ ᴘʀᴏɴᴇ ᴛᴏ 'ᴍᴀɴᴄᴇ ᴡɪᴛʜᴏᴜᴛ ʀᴇᴀʟɪᴢɪɴɢ ꜱʜᴇ'ꜱ ᴅᴏɪɴɢ ɪᴛ. ɪᴛ'ꜱ ʙᴇᴄᴏᴍᴇ ᴀ ᴘʀᴏʙʟᴇᴍ ʟᴀᴛᴇʟʏ ᴡʜᴇɴ ᴀ ɴᴜᴍʙᴇʀ ᴏꜰ ᴀɴɪᴍᴀʟꜱ ʜᴀᴠᴇ ʙᴇᴇɴ ꜱᴛᴀᴍᴘᴇᴅɪɴɢ ᴅᴏᴡɴ ᴛʜᴇ ᴅᴏʀᴍ ᴄᴏʀʀɪᴅᴏʀꜱ. ꜱᴏ, ᴛʜᴇʀᴇ ɪꜱ ᴀ ɴᴏᴛɪᴄᴇ ᴡɪᴛʜɪɴ ᴛʜᴇ ʟɪᴀɴ ᴅᴏʀᴍꜱ ᴛʜᴀᴛ ᴡʜᴏᴇᴠᴇʀ ɢᴇᴛꜱ ᴛʜᴇ ᴘʟᴇᴀꜱᴜʀᴇ ᴏꜰ ʀᴏᴏᴍɪɴɢ ᴡɪᴛʜ ᴋɪɴᴏ, ɢᴇᴛꜱ ᴛʜᴇ ʜᴏɴᴏʀ ᴀɴᴅ ᴛʜᴇ ᴘᴜɴɪꜱʜᴍᴇɴᴛ, ᴏꜰ ʜᴀᴠɪɴɢ ᴛᴏ ᴅᴇᴀʟ ᴡɪᴛʜ ᴛʜᴇ ꜱʟᴇᴇᴘ ᴅᴇᴘʀɪᴠᴇᴅ 'ᴍᴀɴᴄᴇʀ.

𝐅𝐈𝐑𝐒𝐓 𝐈𝐌𝐏𝐑𝐄𝐒𝐒𝐈𝐎𝐍 •• ʟᴏᴏᴋꜱ ɪɴᴛɪᴍɪᴅᴀᴛɪɴɢ ᴀᴛ ꜰɪʀꜱᴛ ɢʟᴀɴᴄᴇ | ᴄᴏᴍᴇ ᴛᴏ ꜰɪɴᴅ ᴏᴜᴛ ꜱʜᴇ'ꜱ ᴊᴜꜱᴛ ᴀ ɢɪᴀɴᴛ ɴᴇʀᴅʏ ᴅᴏɢ | ᴛʜᴏᴜɢʜ ɪꜱ ᴡɪʟᴅ + ᴄʀᴀᴢʏ - ᴄᴀɴ ʙᴇ ᴀ ᴛᴇʀʀɪʙʟᴇ ɪɴꜰʟᴜᴇɴᴄᴇ ɪɴ ᴛʜᴇ ʀɪɢʜᴛ ᴄɪʀᴄᴜᴍꜱᴛᴀɴᴄᴇ
𝐋𝐈𝐅𝐄 𝐏𝐇𝐈𝐋𝐎𝐒𝐎𝐏𝐇𝐘 •• ꜰᴜᴄᴋ ꜱʜɪᴛ ᴜᴘ. ᴅᴏ ʏᴏᴜ. ᴄᴀʀᴘᴇ ᴛʜᴇ ʜᴇʟʟ ᴏᴜᴛᴛᴀ ᴛʜᴀᴛ ᴅɪᴇᴍ. ᴅʀɪɴᴋ ᴜɴᴛɪʟ ʏᴏᴜ ꜰᴏʀɢᴇᴛ. かんぱい ! ! !

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𝐇𝐄𝐈𝐆𝐇𝐓 •• 173ᴄᴍ [ 5'7ꜰᴛ ]
𝐄𝐘𝐄𝐒 •• ʜᴏɴᴇʏ ɢᴏʟᴅ.
𝐇𝐀𝐈𝐑 •• ɴᴀᴛᴜʀᴀʟʟʏ ᴅᴀʀᴋ. ʀɪɢʜᴛ ɴᴏᴡ - ᴄᴀʀᴍᴇʟ ᴄᴏʟᴏʀ.
𝐁𝐔𝐈𝐋𝐃 •• ꜱʟɪᴍ. ᴛᴏɴᴇᴅ. ᴘʀᴇᴛᴛʏ ᴘᴀʟᴇ.
𝐃𝐄𝐅𝐈𝐍𝐈𝐍𝐆 𝐌𝐀𝐑𝐊𝐒 •• ᴛᴀᴛᴛᴏᴏꜱ + ᴘɪᴇʀᴄɪɴɢꜱ. ᴇᴠᴇʀʏᴡʜᴇʀᴇ.
𝐒𝐓𝐘𝐋𝐄 •• ᴇᴅɢʏ | ʙᴏʜᴏ ᴄʜɪᴄ | ᴄᴏᴍꜰᴏʀᴛᴀʙʟᴇ | ʜɪɢʜ ᴡᴀɪꜱᴛ ᴊᴇᴀɴꜱ [ ᴀʟᴍᴏꜱᴛ ᴀʟᴡᴀʏꜱ ʙʟᴀᴄᴋ ] | ᴄʀᴏᴘ ᴛᴏᴘꜱ | ᴘʟᴀᴛꜰᴏʀᴍ ʙᴏᴏᴛꜱ | ʜᴇᴇʟꜱ | ᴄᴏɴᴠᴇʀꜱᴇ | ʀɪɪɪɪɪɪɪɴɢꜱ ɢᴀʟᴏʀᴇ | ꜱᴏᴍᴇᴛɪᴍᴇꜱ ᴀ 'ᴡɪᴛᴄʜ'ꜱ ʜᴀᴛ' | ᴡɪɴɢ'ᴅ ʟɪɴᴇʀ | ᴅᴀʀᴋ ʟɪᴘꜱ
𝐏𝐑𝐈𝐙𝐄𝐃 𝐏𝐎𝐒𝐒𝐄𝐒𝐒𝐈𝐎𝐍 •• ʜᴏɴᴇꜱᴛʟʏ - ɪᴛ ᴡᴏᴜʟᴅ ʜᴀᴠᴇ ᴛᴏ ʙᴇ ᴛʜᴇ ᴘʟᴀɴᴛ ᴛᴀᴛᴛᴏᴏ ꜱʜᴇ ʜᴀꜱ ᴏɴ ᴛʜᴇ ᴜɴᴅᴇʀꜱɪᴅᴇ ᴏꜰ ʜᴇʀ ʟᴇꜰᴛ ᴡʀɪꜱᴛ | ɪᴛ'ꜱ ᴏꜰ ᴀ ʙᴀᴍʙᴏᴏ ꜱʜᴏᴏᴛ - ɪᴛ'ꜱ ɢᴏᴛ 3 ꜱᴇᴛꜱ ᴏꜰ ʟᴇᴀᴠᴇꜱ ᴀʟʟ ᴅɪꜰꜰᴇʀᴇɴᴛ ʜᴇɪɢʜᴛꜱ - ᴛʜᴇ ᴍɪᴅᴅʟᴇ ʙᴜɴᴄʜ ᴏꜰ ʟᴇᴀᴠᴇꜱ ɪꜱ ᴛʜᴇ ʙᴏʟᴅᴇꜱᴛ - ɪᴛ ʀᴇᴘʀᴇꜱᴇɴᴛꜱ ʜᴇʀ ᴘᴏꜱɪᴛɪᴏɴ ᴡɪᴛʜɪɴ ʜᴇʀ ꜱɪʙʟɪɴɢꜱ | ʏᴜᴜᴊɪ + ʜᴀʏᴏʀɪ ʜᴀᴠᴇ ᴛʜᴇ ꜱᴀᴍᴇ ᴛᴀᴛᴛᴏᴏ ᴊᴜꜱᴛ ᴡɪᴛʜ ᴛʜᴇɪʀ ʀᴇꜱᴘᴇᴄᴛɪᴠᴇ ʟᴇᴀᴠᴇꜱ ʙᴏʟᴅᴇᴅ

𝐈𝐍𝐒𝐓𝐀𝐆𝐑𝐀𝐌 •• 𝐭𝐚𝐭𝐭𝐨𝐨.𝐫𝐮𝐮
𝐒𝐍𝐀𝐏𝐂𝐇𝐀𝐓 •• 𝐭𝐚𝐭𝐭𝐨𝐨.𝐫𝐮𝐮

𝐀𝐄𝐒𝐓𝐇𝐄𝐓𝐈𝐂 •• ᴛᴀᴛᴛᴏᴏᴇꜱ, ᴘɪᴇʀᴄɪɴɢꜱ, ɪɴᴋ, ᴍᴇꜱꜱʏ ᴅᴇꜱᴋꜱ, ᴄᴏɴᴛʀᴏʟʟᴇᴅ ᴄʜᴀᴏꜱ, ᴘᴇɴꜱ ɪɴ ʜᴇʀ ʜᴀɪʀ - ɪꜰ ɪᴛ'ꜱ ᴇᴠᴇʀ ᴜᴘ, ᴛɪɢʜᴛ ꜰɪᴛᴛɪɴɢ ᴄʟᴏᴛʜᴇꜱ ᴡɪᴛʜ ᴀ ꜱʜᴀᴡʟ ᴏʀ ꜱᴏᴍᴇᴛʜɪɴɢ ᴏᴠᴇʀ ɪᴛ. ᴍᴀᴋᴇ-ᴜᴘ ᴏɴ ᴘᴏɪɴᴛ.
𝐈𝐍𝐒𝐏𝐈𝐑𝐀𝐓𝐈𝐎𝐍 •• ᴊᴀɴɪꜱ ɪᴀɴ [ ᴍᴇᴀɴ ɢɪʀʟꜱ ], ᴀʀᴛɪꜱᴛɪᴄ ʙᴀᴅᴀꜱꜱ, ᴛᴀᴛᴛꜱ ᴀɴᴅ ᴘɪᴇʀᴄɪɴɢꜱ
𝐑𝐄𝐏𝐔𝐓𝐀𝐓𝐈𝐎𝐍 𝐀𝐓 𝐌𝐄𝐈 •• ᴛʜᴇ ʀᴇʙᴇʟ ᴡɪᴛʜ ᴀ ᴄᴀᴜꜱᴇ. ᴇᴠᴇɴ ᴛʜᴏᴜɢʜ ꜱʜᴇ'ꜱ ᴛᴏᴜɢʜ ʟᴏᴏᴋɪɴɢ ᴏɴ ᴛʜᴇ ᴏᴜᴛꜱɪᴅᴇ - ᴡʜᴀᴛ ᴡɪᴛʜ ᴀʟʟʟʟʟʟʟʟ ᴛʜᴇ ɪɴᴋ ᴘʟᴀꜱᴛᴇʀᴇᴅ ᴏɴ ʜᴇʀ ʙᴏᴅʏ - ᴍɪᴄʜɪʀᴜᴜ ɪꜱ ᴀᴄᴛᴜᴀʟʟʏ ʀᴇᴀʟʟʏ ᴄᴏᴏʟ ᴀɴᴅ ʟᴀɪᴅ ʙᴀᴄᴋ. ᴛʜᴇ ᴏɴᴇ ᴡʜᴏ ʜᴏꜱᴛꜱ ᴀ ᴘᴀʀᴛʏ ɪɴ ʜᴇʀ ᴅᴏʀᴍ ᴇᴠᴇʀʏ ᴄʜᴀɴᴄᴇ ꜱʜᴇ ɢᴇᴛꜱ - ᴇꜱᴘᴇᴄɪᴀʟʟʏ ꜰɪʀꜱᴛ ɴɪɢʜᴛ ʙᴀᴄᴋ ᴛᴏ ᴛʜᴇ ɪɴꜱᴛɪᴛᴜᴛᴇ. ᴍᴏꜱᴛ ʟɪᴋᴇʟʏ ᴛᴏ ꜱɴᴇᴀᴋ ʙᴏʏꜱ ɪɴᴛᴏ ᴛʜᴇ ꜱᴄʜᴏᴏʟ ɢʀᴏᴜɴᴅꜱ ᴀꜰᴛᴇʀ ʜᴏᴜʀꜱ.

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KZOMBI3

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PLOTTING

➞ Tattoo artist
➞ Raised up in a shrine among the priests and priestesses with her brother and sister
➞ Older brother got sucked into the Yakuza
➞ He has slowly been influencing her to join - it's not all that difficult
➞ She's skilled in pictomancy; manipulating her tattoos and art
➞ Got into drug dealing and participating due to brother and Yakuza gang
➞ In a poly - ship
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HOUSE MEI

➞ 𝐌𝐈𝐘𝐀𝐍𝐎 𝐒𝐄𝐍𝐀

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➞ 𝐉𝐄𝐒𝐒𝐈𝐂𝐀 " 𝐉𝐄𝐒𝐒𝐈𝐄 " 𝐒𝐇𝐀𝐎

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➞ 𝐑𝐎𝐊𝐒𝐀𝐍𝐀 𝐀𝐋𝐄𝐗𝐀𝐍𝐃𝐑𝐎𝐕𝐈𝐂𝐇 𝐘𝐔𝐒𝐔𝐏𝐎𝐕𝐀

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HOUSE LIAN

➞ 𝐀𝐍𝐆𝐄𝐋𝐈𝐂𝐀 "𝐀𝐍𝐆𝐈𝐄 " 𝐎𝐍𝐆

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➞ 𝐌𝐈𝐃𝐎𝐑𝐈𝐘𝐀 " 𝐓𝐒𝐔 " 𝐓𝐒𝐔𝐊𝐈𝐊𝐎

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HOUSE JU

➞ 𝐂𝐇𝐀𝐄 𝐘𝐎𝐎𝐍 𝐏𝐀𝐑𝐊

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➞ 𝐓𝐎𝐆𝐀 " 𝐇𝐈𝐃𝐎 " 𝐇𝐈𝐃𝐎𝐌𝐈
One of her closest friends. If not best friend. Surprisingly. She is the only one who can seem to talk any sense into the murder doll. Michi is very strict with the girl and others think that at any moment she will draw her last breath - however, Toga actually appreciates it and looks up to the Kino kid as an older sister figure and values what she does and says. Michi also likes to get into shenanigans with the lil murder doll and therefore they feed off on another at the same time. However, Michi is definitely the voice of reason and reservation of the two. Making sure to know when to continue and when to stop.

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HOUSE LAN

➞ 𝐋𝐘𝐑𝐀 𝐀𝐍𝐂𝐇𝐄𝐓𝐀

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➞ 𝐀𝐂𝐇𝐀𝐑𝐀 𝐍𝐈𝐂𝐎𝐋𝐄 𝐊𝐀𝐋𝐀𝐒𝐄𝐄

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OTHERS

➞ 𝐈𝐖𝐀𝐙𝐔𝐌𝐈 " 𝐈𝐖𝐀 " 𝐇𝐀𝐉𝐈𝐌𝐄
Good friends. Mainly due to the fact that he's good friends with her lovers. Other wise, Iwa has a lot of reservations about her lifestyles and characteristics. Though, she makes his friends happy and he likes that. He still makes faces and pipes up anytime she says or does something that he doesn't agree with. She respects his values - although she thinks he's a lil stuck up.

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➞ 𝐊𝐎𝐈𝐙𝐔𝐌𝐈 𝐓𝐎𝐔𝐘𝐀
She has fun picking on him. Always coming up with something to make him uncomfortable, causing him to run to Iwa. They have a petty relationship. He doesn't care if she's dating Mattsun and Makki, he doesn't like her that much. He appreciates that she makes the boys happy, but still, he can't see how or why. They have rare moments where they get along - but it's always in the company of the others. They're never together by themselves.

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➞ 𝐇𝐀𝐍𝐀𝐌𝐀𝐊𝐈 𝐓𝐀𝐊𝐀𝐇𝐈𝐑𝐎
Started dating when they were younger, but it was that young love where they didn't actually know what dating was? And it was just kinda implied. No one really specified that they were in a relationship and it just . . . happened? Makki was, technically, the 2nd one to enter the relationship. Having already had this close bond with his best friend, Mattsun. He valued what his friend had to say about the girl and they were already friends as well. So when they got older and realized their sexual feelings for one another - they came up with the physical relationship and rules. Eventually, he caught strong strong feelings for her. Bringing it up to his friend, they discovered they were on the same page. They brought it up to Michi and she felt the same. So, something strictly sex focused turned into a beautiful, carnal relationship.

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➞ 𝐌𝐀𝐓𝐒𝐔𝐊𝐀𝐖𝐀 𝐈𝐒𝐒𝐄𝐈
Started dating when they were younger, but it was that young love where they didn't actually know what dating was? And it was just kinda implied. No one really specified that they were in a relationship and it just . . . happened? Mattsun had known Michi just slightly longer than his best friend and began to have urges to pin the tatted beauty to every surface. He brought the proposition to both Michi and Makki and arrangements were made. So when they got older and realized their sexual feelings for one another - they came up with the physical relationship and rules. Eventually, he caught strong strong feelings for her. Bringing it up to his friend, they discovered they were on the same page. They brought it up to Michi and she felt the same. So, something strictly sex focused turned into a beautiful, carnal relationship.

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➞ 𝐇𝐎𝐑𝐈 𝐂𝐇𝐈𝐘𝐎
Ugh. Much like her boyfriend and his family, who look down on others, this pompous princess really gets under her skin. Ultimately, Michi stays away from the Hori clan and all her followers. But every now and then she's sucked into some type of argument or situation that she just cant seem to keep her mouth shut in. It gets her into a lot of trouble, but she could care less. The Hori's have some fingers within the Yakuza business, so she isn't allowed to directly do anything. But there isn't anything that states she can't indirectly do something . . .

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➞ 𝐔𝐄𝐃𝐀 𝐒𝐇𝐈𝐆𝐄𝐑𝐔
Don't really have any feelings towards the stoic samurai. At least that's how she classifies him. He and his family, who are steeped in tradition, all seem to be stoic, honourable and look down on the working class and anyone with . . . questionable morals. Michi gets the feeling that Shigeru is no exception to this. She doesn't really care to find out if she's wrong or not Michi doesn't like how he seems to look down on others, but also is dimwitted ??? Not to mention, he seems to have a lot of power and control over Tendou, and she definitely doesn't like.

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➞ 𝐔𝐄𝐃𝐀 𝐒𝐇𝐎𝐔𝐘𝐎

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➞ 𝐓𝐄𝐍𝐃𝐎𝐔 𝐒𝐀𝐓𝐎𝐑𝐈
Very good friends seeing as how he's dating her closest friend, Toga. She loves that he can make her happy and still retain all his goofy qualities. They have a lot of sessions where they'll chill out, smoking some weed, bouncing crazy ideas off one another, before deciding on going to get some food. She's always thought that he would do well within the Yakuza and has tried recruiting him only to have him deny due to his relationship with Shigeru Ueda - who would totally have his head if he ever contemplated the idea.

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